Goldstream Variations at the New World Symphony

May 10th, 2014

GSVNWSIn April Goldstream Variations was performed by members of the New World Symphony, together over the Internet with IUPUI’s Telematic Collective.  The performance consisted of a quartet of NWS musicians performing at the New World Hall in Miami Beach, together with performers from IUPUI, coordinated by Telematic Collective graduate fellows Matt Vice, Mayowa Tomori, and Danny Hughes. Musicians in Indianapolis were percussionist Bonnie Whiting and harpist Erzsébet Gaál-Rinne.  The 11-minute work was performed before a full house in Miami Beach and received an enthusiastic ovation. The concert was part of the 2014 Internet2-New World Symphony Performance and Masterclass Workshop.








2013 PASIC Technology Day at IUPUI

November 19th, 2013













I recently served as host and director for the Percussive Arts Society International Convention Technology Day, which was held at IUPUI.  The day was filled with clinics, computer lab sessions, and concerts with presenters and performers from the Americas, Europe and Asia. It was a real labor of love as it combined my two favorite subjects, percussion and technology in a wonderful display of innovation and great music.  To learn more about the event and the participants, please visit the Tavel Center website. Pictured above are from left, Erzsébet Gaál-Rinne, Greg Jukes, and on the screen the University of Michigan Electro-Acoustic Ensemble performing my telematic work Goldstream Variations.  

Big Robot Premieres New Album

October 2nd, 2013

BR Promo3Big Robot is having a great year, especially with the release of our first album, which came out in July 2013.  To celebrate, we held a concert in Indianapolis at the historical Irving Theater.  Performing with us was harpist Erzsébet Gaál-Rinne and cellist Shannon Lee Hayden.  For videos of the performance, check out the Big Robot Youtube site, and for more information on the group, visit our website 

Australian Ensemble Decibel performs Goldstream Variations at ICMC 2013

September 10th, 2013

DecibelI recently returned from Perth, Australia, where I was attending the International Computer Music Conference.  I was particularly thrilled by the performance of my work Goldstream Variations by fabulous Decibel Ensemble.  The work highlighted pianist Stuart James performing with a machine learning algorithm developed by my colleague Ben Smith.  I also presented a paper co-authored by one of our graduate students, Javier Omar Sanchez and myself on the use and application of the software patch.  The paper is available in the writings section of this website.

The Rush of the Brook Stills the Mind

July 1st, 2013













The Rush of the Brook Stills the Mind is an electro-acoustic percussion solo composed for me by Elainie Lillios. Elainie and I had been discussing a collaboration since 2011, and we began working on The Rush in earnest in early 2013.  In May, with Elainie’s new score in hand, from a studio in Fairbanks Alaska, I recorded a large sampling of percussion sounds from which she designed and built the interactive electronic part to the work. I performed the world premiere at the 2013 nief-norf Research Summit in June, and a subsequent performance at Sick Puppy (SiCPP) in Boston later that month. The composition is inspired by a poem by Wally Swiss of the same title. The program notes written by Elainie and the full text of the poem follow.

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Auksalaq World Premiere

November 15th, 2012

After 5 years of work, creation, and planning, we presented the world premiere of the telematic opera Auksalaq. I am so grateful to many people who contributed their time, talent, and energy to this artistic work about climate change in the Far North, especially to my creative partner and composer of the music and libretto, Matthew Burtner. » Read the rest of this entry «

Big Robot in Beijing

November 5th, 2012

Big Robot recently traveled to China to perform as guests of the Musicacoustica Festival (pictured above). While there, we also presented workshops on computer-acoustic music in several universities in the Beijing area. A great time was had by all….can’t wait for the return trip!


November 4th, 2012

I am so excited about the newest piece created as a result of a long-standing collaboration with Big Robot bandmate Michael Drews titled Surveillance. I have been working with a bicycle wheel for several years now, exploring my own take on this unique transportation implement turned percussion instrument. And Michael, who composed Surveillance, discovered that bicycle moving parts, with their intricate, modulating sounds; are superb match for computer-acoustic interactivity.  Bicycles as musical instruments have appeared in new and experimental music concerts for many years (for example, check out this fabulous video of Frank Zappa performing on a bicycle in 1963). » Read the rest of this entry «

John Cage at SICPP 2012

August 2nd, 2012

I experienced some fantastic moments in a simultaneous performance involving three of John Cage’s “number” instrumental solos: 31’57.9864” For a Pianist, performed by Steffen Schleiermacher, 26’1.1499” for a String Player, performed by Karinna Fox, and 27’10.544” for A Percussionist, performed by me; on an evening concert at the New England Conservatory Summer Institute for Contemporary Performance Practice in June.  These works are part of a collection of indeterminate works collectively known as Ten Thousand Things. For an interesting read on this collection of works composed using chance operations, visit James Pritchett’s website. To view the performance, click here.

SICPP 2012 Summer Institute

July 20th, 2012

The New England Conservatory Summer Institute for Contemporary Performance Practice, also known to its participants as “Sick Puppy” was held at New England Conservatory in Boston June 15-23. An 8-day immersion into new and experimental music for advanced and professional musicians, SICPP began in the 1990’s when noted pianist and Artistic Director Stephen Drury began a contemporary music performance seminar for his students. Eventually Drury began to add composers, percussionists, vocalists and instrumentalists until it reached its present form, a new music institute that includes an Ensemble Program, an Electronic Music Workshop, and the New Works Program, which is a workshop for composers who have the opportunity to study with the Composer-in-Residence. » Read the rest of this entry «