John Cage at SICPP 2012

August 2nd, 2012

I experienced some fantastic moments in a simultaneous performance involving three of John Cage’s “number” instrumental solos: 31’57.9864” For a Pianist, performed by Steffen Schleiermacher, 26’1.1499” for a String Player, performed by Karinna Fox, and 27’10.544” for A Percussionist, performed by me; on an evening concert at the New England Conservatory Summer Institute for Contemporary Performance Practice in June.  These works are part of a collection of indeterminate works collectively known as Ten Thousand Things. For an interesting read on this collection of works composed using chance operations, visit James Pritchett’s website. To view the performance, click here.

SICPP 2012 Summer Institute

July 20th, 2012

The New England Conservatory Summer Institute for Contemporary Performance Practice, also known to its participants as “Sick Puppy” was held at New England Conservatory in Boston June 15-23. An 8-day immersion into new and experimental music for advanced and professional musicians, SICPP began in the 1990’s when noted pianist and Artistic Director Stephen Drury began a contemporary music performance seminar for his students. Eventually Drury began to add composers, percussionists, vocalists and instrumentalists until it reached its present form, a new music institute that includes an Ensemble Program, an Electronic Music Workshop, and the New Works Program, which is a workshop for composers who have the opportunity to study with the Composer-in-Residence. » Read the rest of this entry «

Big Robot in Oklahoma

May 12th, 2012

Big Robot recently returned from concerts and presentations in Oklahoma, performing material from their upcoming DVD at the Cameron University New Music Festival, and at Oklahoma State University. Click here to view a performance of Jack Walk, taken during the trip.

Four Thousand Holes in New Yorker Magazine’s Top Ten Classical CDs of 2011

December 19th, 2011

New Yorker Magazine has listed the recording of Four Thousand Holes, composed by John Luther Adams, on its Top Ten Classical CD Picks for 2011 list. The work, which can be found on the Cold Blue Records CD of the same title, is a 33-minute tour de force scored for percussionist, pianist and electronics. Deal recorded the piece last year in Boston with his frequent collaborator, noted pianist Stephen Drury. » Read the rest of this entry «

Auksalaq Presented with Internet2 IDEA Award

October 13th, 2011

Internet2, the nation’s most advanced networking consortium, presented the Internet2 Driving Exemplary Applications (IDEA) award  to Matthew Burtner of the University of Virginia and myself for the creation of the telematic and media-enriched opera, Auksalaq.
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Performances in Boston, Idaho with the Callithumpian Consort

September 25th, 2011

I just returned from two weeks on the road with the Boston-based new music group Callithumpian Consort, directed by Stephen Drury. Great fun and a busy time performing concerts and giving presentations. The group performed Steve Reich’s Sextet, Tristan Murail’s Le Lac, Sonata for Two Pianos and Percussion by Bela Bartok, and The Credo in Us by John Cage. Audiences were great, the group rocked, and as usual, there was never a dull moment with Drury and Company. Click here to visit the website for the Idaho concert.

Performance: “Those I Fight I Do Not Hate”

July 17th, 2011

“Those I Fight I Do Not Hate” is a work by my friend and Big Robot co-conspirator Jordan Munson, composed for bodhrán, electronics, and video.  Both of us made the trek across the pond to the UK in early August for two performances of the piece (me-bodhrán; Jordan-video and electronics) at the 2011 International Computer Music Conference» Read the rest of this entry «

New John Luther Adams Release: “Four Thousand Holes”

July 17th, 2011

I have had the opportunity to work with John Luther Adams on performances and recordings of his music since 1997, and as such, preparing Four Thousand Holes has been a homecoming for me.  To quote Jim Fox of Cold Blue Records, “Four Thousand Holes is a sometimes lush, sometimes fragile, rhythmically complex and technically demanding work for piano, mallet percussion and ghostly electronic “auras”—electronic sounds created by processing the acoustic instruments’ sonorities”. » Read the rest of this entry «

Percussion at “Sick Puppy”

July 15th, 2011

Sick Puppy Percussionists from left: John Andress, Gary Donald, Stephen Drury, Scott Deal, Stuart Gerber, Cory Bracken, Dave Tarantino, Jeff Kolega, Sayun Chang, Ryan Packard, Christian Smith. Not pictured: Jeffrey Means.

The New England Conservatory Summer Institute for Contemporary Performance Practice, affectionately known to its participants as “Sick Puppy” was held at New England Conservatory in Boston June 18-25.  SICPP is an 8-day immersion into new and experimental music for advanced and professional musicians. SICPP began in the 1990’s when Artistic Director Stephen Drury, himself a concert pianist who specializes in new music, decided to create a contemporary music performance seminar for his advanced students.  In the 2000’s Drury, gradually began to add composers, percussionists, vocalists and instrumentalists. It has now grown to include an Ensemble Program, an Electronic Music Workshop, and the New Works Program, which is a workshop where composers have the opportunity to study with the Composer-in-Residence (this year, the French composer Tristan Murial). » Read the rest of this entry «

Performance with Percussionist Peter Kates: Indiana to Norway

May 1st, 2011

Peter Kates (onstage, Norway) Scott Deal (onscreen, Indiana)

On April 27, I performed online in concert with Peter Kates, of the Bergen Philharmonic Orchestra in Bergen Norway. The work was “Response 1″ by Norwegian composer Arne Nordheim, for two percussionists and electronic tape. The concert was a recital in Norway presented by Peter and this work was on the program. I performed from the Tavel Lab at IUPUI, Indianapolis.